Originally from Regensburg, Dr. Anna Weger has been living and working in Munich for several years.

Her practice unfolds at the intersection of sculptural relief and pictorial composition. Her works are formed from a hand-mixed material composed of mineral powders, organic binders, and natural earths. At times, brass and resin are introduced as counterpoints, subtly disrupting the material’s monochromatic clarity and establishing a measured tension between solidity and fluidity. Layers of spray paint and highly pigmented color further articulate the surface, creating a complex, multi-dimensional visual field that reveals new nuances through shifts in light and perspective.

Central to Weger’s methodology is a process guided not by a predetermined conceptual framework but by material responsiveness and intuitive gesture. She allows structures to arise gradually, shaped by the inherent behaviour of the medium. The resulting forms—draped, folded, and seemingly in motion—embody a moment of suspended lightness. Their reliefs emphasize the interplay of light and shadow, generating a spatial ambiguity that oscillates between the organic and the abstract.

Weger’s background as an orthodontist exerts a notable influence on her artistic engagement with materials. Substances long familiar from clinical practice reappear in her work, recontextualized and opened to new aesthetic possibilities. This familiarity affords her a distinctive precision and confidence, while the shift from functional to expressive application introduces fresh conceptual perspectives. In her hands, materials associated with correction, stabilization, and structural control become vehicles for articulating fluidity, sensitivity, and openness. The resulting works occupy a space in which deliberation and intuition coexist, producing forms that are both controlled in execution and unexpectedly free in appearance.